• About
  • Design Portfolio
  • Experiences
  • Craftsmanship
  • EDUCATIONAL THEATRE AND TEACHING
  • CV and Links
  • Complete Chronology

Robin Vest Design

  • About
  • Design Portfolio
  • Experiences
  • Craftsmanship
  • EDUCATIONAL THEATRE AND TEACHING
  • CV and Links
  • Complete Chronology

Life Sucks

by Aaron Posner

OKC Rep @ Oklahoma Contemporary

Directed by Benita de Wit

Costume Design: Jeannette Christensen

Lighting Design: Annalise Caudle

Sound Design: Kathy Ruvuna

Props Design: Brittany Atkins

Stage Manager: Jenna Rowell

Production Manager and Load-in: David Pilchman

Fabricator: Brian Coleman

Scenic Artist: Lauren McPherson

“ Local scenic designer Robin Vest devised the massive, immersive set that puts theatergoers right on the porch of the wide-windowed house, making it seem almost like they’re eavesdropping rather than observing every conversation, confrontation and soliloquy. “ -The Oklahoman

Waitress

The ZACH theatre, Austin TX

Directed and Choreographed by Cassie Abate

Music Direction: Aimee Radics

Lighting Design by Marie Yokoyama

Sound Design: Josh Milican and Austin Brion

Costume Design: Christina Montgomery

Hair and Make-up: Anna Fugate

SM: Devon Muko

Props Design: Brady Flock

TD: Conley Hataway

ATD: Louie Espinoza

Scenic Charge: Janiece Gonzalez

Production Manager: Austin Manning

“Set designer Robin Vest worked magic transforming Zach’s traditional Topfer theatre into a fully functional diner in the round.”

-The Austin Chronicle

“Top it off as the first Broadway musical in history to have an all-female creative team at the helm, and you’ve got a blue ribbon winner.

It pleases me to no end that ZACH has followed suit with the creative team engaged in their production! This extends greatly to the rest of the Production Team.  Scenic designer Robin Vest, has impressively turned the Topfer stage into a diner in the round, complete with seats for folks onstage, and a pie section if you’d like a slice.”

-Joni Lorraine for Broadwayworld.com

What the Constitution Means to Me

Oklahoma City Rep, 2025

Directed by: Jessica Holt

Costume Designer: David Averelo

Lighting Designer: Aaron Mooney

Sound Designer: Michael Costagliola

Props: Amanda Schnake

Paint Charge: Lauren McPherson

Ragtime

"Ragtime" produced by Tulsa Performing Arts Center.

Dir: Sara Phoenix

Music Dir: Mark Frie

Choreo: Jen Alden

Costumes: Adam Farman

Lighting and Projection: Carson Decker

Sound: Steven Smalley

Props: Nicholas Mueller

Hair/Make-up: Tara Turney

Technical Director: Craig Zeittlow

Production Manager: Scott McLarty

Stage Manager: Topher Stevens

Select Photos: Andrew Nichols

“On a technical level, the production was decadent. Robin Vest’s fragmented yet versatile set, complete with an American Flag that fell apart and came back together at certain times, served as a powerful backdrop..” -Alex Isaak for The Pickup

Miss You Like Hell

Theatre Squared, Fayetteville AR 2022

directed by Esteban Arévalo Ibáñez

choreographer: Michelle LeBlanc

lighting design: Athziri Morales

projection design: Nathan W Scheuer

costume design: Yao Chen

sound design: Rebecca Kessin

Matilda

Cape Fear Regional Theatre, Fayetteville NC 2023

Directed by Marc de la Concha

Music Director: James Clark

Choreography by Charlie Sutton

Video Design and Scenic Art by David Rawlins

Lighting Design Jason Flamos

Sound Design Kate Wecker

Costume Design Emily WhiteTechnical Director: Nat Conti

Props Design: Matthew Decker

Production Manager: Jamie Ammons

Photos by Rubiera Studios

“The brilliantly designed sets act as a supporting player, quickly and effortlessly transforming..” -CityView

Fiddler on The Roof

Tulsa Performing Arts Center, 2024

TPAC Presents

Directed and Choreographed by Sara Phoenix

Lighting Design by Carson Decker

Sound Design by Steven Smalley

Costumes Designed and Created by Bruce Lewis and Alice Wegley

Technical Direction: Scott McClarty

Props: Nick Mueller

The Tempest at Ames Farm

The Tempest, Opera House Arts at Ames Farm

Stonington ME, 2018

directed by: Peter Richards

costumes by: Jennifer Paar

technical director: Brian Coleman

Narnia

Children’s Theatre of Charlotte, 2023

Directed by Adam Burke

Music Direction: Bill Congdon

Choreographer: Ron Chisolm Fights: Steven Levine

Lighting Design: Amy Hanyzewski

Projection Design: Kelly Colburn

Costume Design: Magda Guichard

Sound Design: Jason Romney

Gloria

by Branden Jacobs Jenkins

Profile Theatre, Portland Oregon 2022

directed by: Josh Hect

fight choreography: Jonathan Cole

special effects: Rory Breshears

lighting design : Kristeen Willis

costume design: Jaymee Ngernwichit

sound design: Matt Weins

Daddy Long Legs

Tulsa Performing Arts Center in the Liddy Doenges Theatre, 2022

Directed by Sara Phoenix

Cast: Sam Briggs and Margaret Stall

Music Director: Jeremy Stevens

Lighting Designer: Carson Decker

Costume Designers: Alice Wegley and Bruce Lewis

Sound Design: Steven Smalley

Technical Director: Scott Mclarty

“Robin Vest designed the book-ladened set that nicely evoked the early 1900s” -Tulsa World

Annie

Children’s Theatre of Charlotte, 2022

Director: Corey Mitchell

Lighting Designer: Gordon Olson

Costume Designer: Beth Chaitman

Sound Designer: Jason Romney

Technical Director: Andrew Gibbon

Scenic Artist: Tim Parati

Props Coordinator: Cassie Ward

Guys and Dolls

by Loesser, Swirling and Burrows, Playmaker's Repertory Company SYC 2015

directed by: Jeffrey Meanza

costume designer: Jade Bettin

lighting designer: Dominic Abbenante

 

photos by: Jon Gardiner

 

South Pacific

by Rogers and Hammerstein, Triad Stage 2017

directed by: Preston Lane

music director: Justin Cowan

lighting design : Cecelia Durbin

projection design: Nick Hussong

costume design: Bill Brewer

sound design: Derek Graham

Peter and the Starcatcher

Cape Fear Regional Theater, October 2018

Directed by: Michelle Tattenbaum

Sets and Shadow Puppets: Robin Vest

Lighting Designer: Marika Kent

Costume Designer: Whitney Locher

Actually We're F*cked

(world premiere), The Cherry Lane, NYC, February 2019

Directed by: John Pasquin

Lighting Design by: Paul Miller

Projection Design by: Brad Peterson

Costume Design by: Theresa Squire

Sound Design by: ML Dogg/MuTTT

The elaborate set (designed by Robin Vest) boasts a large living room with color-coordinated furniture, as well as a stocked and apparently functioning kitchen. -The Broadway Blog

Caroline, or Change

by Tony Kushner and Jeanine Tesori, Cape Fear Regional Theater 2017

directed by: Bryan Conger

music director: Joanna Li

costume design: Allison White

lighting design: David Casteneda

sound design: Brian Hitzigrath

All's Well That Ends Well

by William Shakespeare, Triad Stage 2014

Directed by Preston Lane

Lighting Design: Robert Perry

Costume Design: Bill Brewer

Sound Design: David Smith
 

Don't Go Gentle

by Stephen Belber, Manhattan Class Company 2012

directed by Lucie Tiberghien

lighting design: Matt Richards

costume design: Jenny Mannis

Sound Design: Fabian Obispo

 

 

Animal Crackers

adapted by Henry Wishcamper, Williamstown Theater Festival 2013

directed by Henry Wishcamper

choreographer: John Carrafa

physical comedy by Paul Kalina

lighting design: Matt Richards

costume design: Jenny Mannis

 

 

"Scenic designer Robin Vest, who designed the Chicago production, has made the ballroom of the Rittenhouse Manor an immensely pleasing place. Sky-blue with white and gold accents and a stylized allusion to a crystal chandelier, it put me in the mood of old New Yorker covers and children’s books, such as Eloise, in its visual evocation of a Long Island mansion in the 1920s." -The Arts Fuse

 


 

 

Peter Pan

Children’s Theatre of Charlotte, September 2019

Directed by Jenny Male

Music Direction by Drina Keen

Choreography by Mavis Scully

Costumes by Ryan Moller

Lighting by Aimee Hanyzewski

Sound by Jason Romney

“Robin Vest’s eye-catching set stresses the unreality of Neverland: giant flowers and insects, a subterranean dwelling place for the Lost Boys topped by a London Underground sign, a cheerful Jolly Roger that resembles a titanic paper pirate’s hat.” The Charlotte Observer

Graceland

by Ellen Fairey

Lincoln Center Theater LCT3, 2010

directed by Henry Wishcamper

projections by Aaron Rhyne

lighting by Matt Richards

costumes by Anne Kinney

sound by Bart Fastbender

 

"Chicago looks swell in Robin Vest’s multipurpose set. That wraparound strip of green flooring (nicely set off by Aaron Rhyne’s bucolic video projections and soundman Bart Fasbender’s establishing bird twitter) represents Graceland, the picturesque cemetery where an old boozer who staggered home from his favorite bar one night and shot himself in the head has just been laid to rest." -Variety

 

Year Zero

Second Stage Uptown, 2010

Directed by: Will Frears

Lighting Design: David Weiner

Costume Design: Jenny Mannis

Sound Design: MuTTT

 

Scenic Design Featured in New York Magazine's "approval matrix" in the "brilliant/highbrow" quadrant.

 

 

La Cenerentola

La Cenerentola, Brevard Music Center, Brevard NC, July 2018

Director: Crystal Manich

Set Designer: Robin Vest

Lighting Designer: Tlaloc Lopez-Watermann

Costume Designer: Glenn Breed

Life Sucks

— view —

Waitress

— view —

What the Constitution Means to Me

— view —

Ragtime

— view —

Miss You Like Hell

— view —

Matilda

— view —

Fiddler on The Roof

— view —

The Tempest at Ames Farm

— view —

Narnia

— view —

Gloria

— view —

Daddy Long Legs

— view —

Annie

— view —

IMG_5913.jpeg

South Pacific

— view —

Peter and the Starcatcher

— view —

Actually We're F*cked

— view —

Caroline, or Change

— view —

IMG_0402.JPG

All's Well That Ends Well

— view —

DSC_0024.jpg

Don't Go Gentle

— view —

IMG_1452.JPG

Animal Crackers

— view —

Peter Pan

— view —

Graceland

— view —

Graceland.jpg

Year Zero

— view —

La Cenerentola

— view —

Powered by Squarespace 6